The best family movies: 36 classic films that’ll appeal to kids and adults alike in November 2024
These are the best family movies to stream today, including multiple Disney classics
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Finding a film everyone in the family will enjoy can be challenging, but the best family movies do just that. They combine laugh-out-loud moments, exciting adventures, and heartfelt stories to appeal to viewers of all ages. These movies need to hold kids’ attention while also offering enough depth to keep adults entertained. We’re here to guide you to the top films for family movie nights.
We’ve curated a list of the best family movies available to stream right now that we think are well worth your time. From the latest superhero hits to classicPixarfavorites and beloved cult films, this selection offers something for everyone. So, grab the popcorn and get stuck in.
Big Hero 6 (2014)
Director:Don HallAge rating:PG (US and UK)Where to watch:Disney Plus(US and UK)Rotten Tomatoes (RT) score:90% (critical) and 91% (audience)
When lists of thebest Marvel moviesare assembled, this charming Disney Animation Studios release is often overlooked. But make no mistake, the comic-book credentials of this kid-friendly superteam are just as strong as the Avengers’ – the film even features a cameo (of sorts) from the late Stan Lee.
Set in the futuristic, East-meet-West world of San Fransokyo, it sees an orphaned teen teaming up with a bunch of friends – including adorable medical robot Baymax – to fight off the threat of a local supervillain. It’s smart, funny and doesn’t pull its punches in its more tragic moments.
Big Hero 6’s adventures have since continued in a Disney Channel series, while aBaymax!spin-off landed on Disney Plus in 2022.
Bugsy Malone (1976)
Director:Alan ParkerAge rating:G (US); U (UK)Where to watch:Available to rent or buy on all good digital stores (US and UK)RT score:79% (critical) and 80% (audience)
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How do you make a gangster movie for children? Alan Parker – who’d go on to directFameandThe Commitments– answered the question in ingenious style by populatingBugsy Malonewith a cast of kids (the standout performance coming from a 14-year-old Jodie Foster) and arming them with whipped cream-firing splurge guns.
Beyond the unconventional casting and weaponry, however, it’s got all the hallmarks of a 1930s crime caper, from speakeasies and mob bosses, to washed-up heroes and femmes fatales. It also has songs – though, bizarrely, Parker opted to use adult singing voices instead of giving his stars a crack at the tunes.
Despicable Me
Director:Chris Renaud , Pierre CoffinAge rating:PG (US); U (UK)Where to watch:Peacock (US); Now TV and Sky Go (UK)RT score:80% (critical) and 83% (audience)
Despicable Mebrings a refreshingly heartwarming twist to the classic supervillain story with a dash of delightful chaos thanks to the now-famous Minions. The film follows Gru, an oddly lovable villain with a grand scheme to steal the moon. But his life takes an unexpected turn when three young orphans disrupt his plans, stirring emotions he never expected to feel.
Packed with vibrant animation and a quirky, cross-generational sense of humor,Despicable Meis ideal for family movie nights. Its blend of playful mischief, heartfelt moments, and laugh-out-loud Minion antics makes it a memorable choice that viewers of all ages will enjoy.
Elf (2003)
Director:Jon FavreauAge rating:PG (US and UK)Where to watch:Max (US); Sky Go and Now TV (UK)RT score:86% (critical) and 79% (audience)
Before he launched theMarvelCinematic Universe withIron Manand traveled to a galaxy far, far away withThe Mandalorian, Jon Favreau (then arguably best known as Monica’s millionaire boyfriend inFriends) made his directorial debut with this festive classic.
A pre-AnchormanWill Ferrell delivers his most endearing performance as a human who was raised as one of Santa’s elves, and then travels to New York to meet his biological father (a gruff James Caan).
It’s a winningly offbeat fish-out-of-water tale that combines comedy, romance and plenty of Christmas spirit to create an immensely uplifting festive concoction. There’s a reasonElfinstantly found itself on the list of thebest Christmas moviesalongside the likes ofIt’s a Wonderful Life,Home Alone, andThe Muppet Christmas Carol.
Enchanted (2007)
Director:Kevin LimaAge rating:PG (US and UK)Where to watch:Huluand Disney Plus (US); Disney Plus (UK)RT score:93% (critical) and 80% (audience)
Alongside its extremely lucrativeStar Warsand Marvel franchises, the Disney of the 21st century also has a profitable sideline revisiting its cartoon classics (Aladdin,Beauty and the Beast,The Lion King,Pinocchioetc) in live-action. The post-modernEnchanted, however, takes a more direct route by bringing together hand-drawn animation and human actors in one movie.
The story sees a traditional Disney princess transported into our world, where she learns that modern-day New York is every bit as scary (and wondrous) as her magical kingdom. The ever-brilliant Amy Adams is, well, enchanting as the three-dimensional version of the naively optimistic Giselle, while the self-aware script has fun poking fun at the clichés of the Disney brand. Disney Plus magicked up a sequel,Disenchanted, in 2022.
ET: The Extra-Terrestrial (1982)
Director:Steven SpielbergAge rating:PG (US); U (UK)Where to watch:Available to rent or buy on all good digital stores (US); Sky and Now TV (UK)RT score:99% (critical) and 72% (audience)
The latter half of Steven Spielberg’s career has been dominated by serious dramas and more grown-up fare but in his earlier days he was the best family movie director out there.
Never has that been more evident than inET, his modern-day fairytale about a kid who meets an alien accidentally left behind on the outskirts of a small American town. Spielberg’s genius shines through in the way he keeps you completely invested in the friendship between a 10-year-old boy and an extra-terrestrial with a flashlight for a finger. Cynics may claim that the director overplays the schmaltz in an emotional final act, but whether you’re eight, 18 or 80, it’s easy to see whyETwas the most lucrative film of all-time until Spielberg’s ownJurassic Parkroared into theaters a decade later. Find out howETcompares to the rest of the director’s filmography inSteven Spielberg movies ranked.
Freaky Friday (2003)
Director:Mark WatersAge rating:PG (US and UK)Where to watch:Disney Plus (US and UK)RT score:88% (critical) and 58% (audience)
Just before taking the lead inMean Girls– one of the all-time great high-school movies – Lindsay Lohan starred in this superior remake of a 1976 Jodie Foster movie. In the classic body swap tradition (see alsoBig,Vice Versa,Like Father Like Son),Freaky Fridaysees a mother (Jamie Lee Curtis) and daughter (Lohan) swapping places in mysterious circumstances – in this case, thanks to a magical fortune cookie.
Though it’s best not to get bogged down in the implausibility of the premise, both stars make the most of the rare opportunity to play someone of a different generation – Curtis lets her hair down as a rebellious teen, while Lohan gets (comedy) serious as the therapist mom.
Frozen/Frozen 2 (2013/2019)
Director:Chris BuckAge rating:PG (US and UK)Where to watch:Frozenon Prime Video (US and UK);Frozen 2on Disney Plus (US and UK)RT score:90% (critical) and 85% (audience) forFrozen; 77% (critical) and 92% (audience) forFrozen 2
Yes, the originalFrozenand its associated merchandise and songs became so ubiquitous in the homes of kids of a certain generation that millions of parents wished it would simply vanish. But, now that the dust (or should that be snow?) has settled, this clever update of Hans Christian Anderson’sThe Snow Queencan be appreciated for what it is – one of Disney’s best family movies of the 21st century.
Sisters Elsa and Anna make engaging heroes, their motivations boiling down to their love for each other rather than romancing some bland prince. Meanwhile, the soundtrack is up there with Disney’s very best, particularly the now-iconic ‘Let It Go’. The songs might not be quite so memorable in the 2019 sequel, but it’s a worthy companion piece that manages to enhance the mythology of the original. Two of thebest Disney Plus moviesaround.
The Goonies (1985)
Director:Richard DonnerAge rating:PG (US); 12 (UK)Where to watch:Available to rent or buy on all good digital stores (US and UK)RT score:77% (critical) and 91% (audience)
Steven Spielberg didn’t call the shots onThe Goonies– that honor fell to the late Richard Donner, director ofThe Omen,Superman: The MovieandLethal Weapon– but his fingerprints are all over this iconic adventure movie from his Amblin production outfit.
Effectively Indiana Jones for kids, it sends an unlikely assortment of adolescents on a quest to find the pirate treasure they think will save their homes from developers. While it’s probably too scary and suggestive for younger viewers, older kids will love its action set-pieces, the still-quotable dialogue (hey you guys!), and the memorable characters – whether it’s the child stars (Ke Huy Quan just won an Oscar forEverything Everywhere All At Once), or the villainous Fratellis trying to beat them to the prize.
The Harry Potter saga (2001-2011)
Director:Chris Columbus (1 & 2); Alfonso Cuarón (3); Mike Newell (4); David Yates (5-8)Age rating:Between PG (US and UK) and PG-13 (US); 12A (UK)Where to watch:MaxandPeacock(US);Netflix, Sky, and Now TV (UK)RT score:Between 77% and 96% (critics) and 74% and 89% (audiences)
JK Rowling’s belovedHarry Potterbook series becomes a beloved series of eight magical movies courtesy of the most lucrative book adaptations in history.
While few of the movies are stone-cold classics – the mediocreThe Deathly Hallows Part 1, in particular, struggles to justify the decision to split the final Potter book in two – they capture the wonder and imagination of Rowling’s Wizarding World in spectacular style, making numerous generations dream of securing a place at Hogwarts. Keeping the most of the core cast together across an entire decade also marks a remarkable filmmaking achievement, especially as the Hogwarts staff room is populated by some of the finest acting talent the UK has to offer.
For more Potter-based articles, read our guide on thebestHarry Pottermoviesandhow to watch theHarry Pottermovies in order.
Home Alone (1990)
Director:Chris ColumbusAge rating:PG (US and UK)Where to watch:Disney Plus (US and UK)RT score:66% (critical) and 80% (audience)
The movie that made Macaulay Culkin the most bankable pre-teen star of his generation mined childhood wish fulfillment (and the stuff of parental nightmares) to create a monster festive hit. Despite being scripted by ’80s high-school movie legend John Hughes and directed byGoonieswriter Chris Columbus,Home Alonewas seen as such a gamble that its original studio, Warner Bros, walked away when its comparatively meagre budget grew larger than they were expecting.
They would soon be left to regret it, as the story of a kid left home alone at Christmas – and fighting off a pair of incompetent burglars with only his ingenuity and some Looney Tunes-style slapstick to protect him – conquered the box office for 20th Century Fox. It’s now a mainstay on Yuletide playlists, though the 1992 sequel – where Culkin not only finds himself abandoned again, but also runs into the same pair of crooks – pushes credibility one step too far.
How to Train Your Dragon (2010)
Director:Christopher SandersAge rating:PG (US and UK)Where to watch:Max (US); Now TV (UK)RT score:99% (critical) and 91% (audience)
Okay, it’s not going to win any points for historical accuracy, but DreamWorks’ hit adaptation of Cressida Cowell’s Viking adventures is an absolute delight. Set in an alternative reality where the town of Berk finds itself at the mercy of flying, fire-breathing monsters, the film focusses on the unlikely friendship that blossoms between the teenage son of the local chieftain, and a dragon with an injured tail. United by their outsider status, Hiccup and Toothless gradually bring the two communities together – but not before they’ve found time for some spectacular aerial action, memorable comedy and a few genuinely tender moments.
How to Train Your Dragonhas since spawned two sequels, spin-off shorts, a TV show and a videogame, while a live-action remake is also reportedly in the works.
Hugo (2011)
Director:Martin ScorseseAge rating:PG (US); U (UK)Where to watch:Available to rent or buy on all good digital stores (US and UK)RT score:93% (critical) and 78% (audience)
Seeing as he’s spent most of his filmography hanging out in the sweary, violent extremes of the R-rating, the legendary Martin Scorsese isn’t the first filmmaker you’d expect to find on a list of the best family movies.
Nonetheless,Hugois entirely the film you’d expect a self-confessed cinephile like theGoodFellasdirector to direct. This is an unashamed love-letter to early cinema, as the eponymous Hugo (futureSex Educationstar Asa Butterfield) and his companion Isabelle (Kick-Ass’s Chloë Grace Moretz) discover a broken clockwork automaton in 1931 Paris, and find themselves in the orbit of silent movie pioneer Georges Méliès (Ben Kingsley). The result is heartfelt, visually stunning and fun, and doesn’t feature a single use of the F-word. See where it ranks in ourbest Martin Scorsese moviesguide.
The Incredibles (2004)
Director:Brad BirdAge rating:PG (US); U (UK)Where to watch:Disney Plus (US and UK)RT score:97% (critical) and 75% (audience)
It’s not easy being a superhero, especially when everyday life starts to get in the way. That’s the main takeaway from this early Pixar classic, in which retired supers and married couple Mr Incredible and Elastigirl learn that saving the world is much, much harder when you also have to worry about the kids.
Writer/director Brad Bird’s movie is funny, emotionally intelligent and smart enough to gently mock the conventions of superhero stories – something that felt incredibly fresh back in 2004, when Marvel andDCmovies weren’t as ubiquitous as they are now. And nearly two decades later,The Incrediblesstill looks, well, incredible, thanks to the timeless design of the characters, and the stunning, retro-futuristic world they inhabit. 2018 sequelIncredibles 2is also available on Disney Plus, and you can see where they rank in ourbest Pixar moviesguide if you’re interested.
The Karate Kid (1984)
Director:John G. AvildsenAge rating:PG (US and UK)Where to watch:Netflix and Starz (US); Sky Go, Now TV, and Netflix (UK)RT score:90% (critical) and 82% (audience)
You only have to look at the success of Netflix spin-offCobra Kaito see the impactThe Karate Kidhad on previous generations of viewers. It rightfully gained a reputation as one of the best family movies of the 1980s, an era that specialized in delivering box office smashes with universal appeal.
Although it’s undoubtedly pushing the upper age limit of the family remit – a certain level of violence comes with the martial arts territory –The Karate Kidgets lots of mileage out of a teen defying the odds to come out triumphant. Indeed, on many levels it works as a juniorRocky– it even has the same director in John G. Avildsen – though it didn’t inspirequiteas many sequels.
Kubo and the Two Strings (2016)
Director:Travis KnightAge rating:PG (US and UK)Where to watch:Netflix (US); Available to rent or buy on all good digital stores (UK)RT score:97% (critical) and 86% (audience)
LikeWallace & Gromitcreators Aardman Animations, Oregon-based Laika Studios continue to keep the stop-motion flame alive amid the ongoing advance of CG. Where Aardman predominantly ply their trade with more traditional plasticine techniques, however, Laika use state-of-the-art 3D printing technology to create their characters. Never has it been used to more spectacular effect than onKubo and the Two Strings, an epic tale set in a fantastical version of feudal Japan.
Ambitious in its scale, action and themes, the story of the titular Kubo – on a quest to track down three segments of a magical suit of armor that can save the realm – is a feast for the eyes. And in his talking monkey and beetle travelling companions, the movie boasts sidekicks of surprising depth.
Labyrinth (1986)
Director:Jim HensonAge rating:PG (US); U (UK)Where to watch:Fubo, Hulu,Peacock, Plex, Pluto TV, Prime Video,Rokuand Tubi (US); ITVX (UK)RT score:77% (critical) and 86% (audience)
After the ambitious-but-bleak, puppets-only action ofThe Dark Crystal(since adapted into a short-lived TV spin-off by Netflix),Muppetslegend Jim Henson adds a few humans – and songs – to the mix with an adventure scripted by Monty Python’s Terry Jones.
A Beautiful MindOscar-winner Jennifer Connelly plays a teen who accidentally wishes her baby brother away to the Goblin King’s castle, and has just 13 hours to make it through the titular maze before the kid becomes a goblin forever. The journey through theLabyrinthis essentially an excuse for brief encounters with numerous memorable Jim Henson Company puppet creations, while David Bowie just about holds his own as an idiosyncratic, very un-goblin-like Goblin King.
The Lego Movie (2014)
Director:Phil LordAge rating:PG (US); U (UK)Where to watch:Available to rent or buy on all good digital stores (US); Sky Go, Now (UK)RT score:96% (critical) and 87% (audience)
Apologies to Michael Bay’sTransformerssaga, but – untilBarbiecame along –The Lego Moviehad to be the greatest toy commercial ever made.
Hot off the back of similarly anarchic animationCloudy with a Chance of Meatballs, directors Phil Lord and Christopher Miller somehow built a coherent movie out of multi-colored plastic bricks, staying true to the brand’s core values about imagination and having fun, while subverting them at the same time.
A pre-Guardians of the GalaxyChris Pratt voices the ordinary Minifig who may (or may not) be the savior of Bricksburg, and the celebrity cameos keep coming all the way through to an oh-so-meta finale that turns everything you’ve just seen on its round, plastic head. Tegan and Sarah’s theme song, ‘Everything is Awesome’, may also be the most earwormy earworm you’ll ever hear.
The Lion King (1994)
Director:Roger AllersAge rating:G (US); U (UK)Where to watch:Disney Plus (US and UK)RT score:92% (critical) and 93% (audience)
Disney puts an animalistic spin onHamletin one of the standout movies of the animation studio’s 1990s renaissance kickstarted byThe Little Mermaid. Despite the catchy, upbeat Elton John songs on the soundtrack, the story is dark in the orphaned-kid tradition ofBambiandDumbo, as lion prince Simba loses his dad (James Earl Jones, reinventing his absent father motif fromStar Wars) in a spectacular stampede.
He then spends the rest of the film searching for redemption before returning to claim his rightful place as ruler of the jungle. The Jon Favreau-directed, photoreal remake, on the other hand, looked amazing, but struggled to capture the charm of the original.
Matilda (1996)
Director:Danny DeVitoAge rating:PG (US and UK)Where to watch:Netflix (US); Sky Go, Now TV, and Netflix (UK)RT score:92% (critical) and 73% (audience)
Considering the massive, ongoing success of his children’s books, it’s remarkable that the works of Roald Dahl haven’t inspired more bona fide classics. Adaptations ofCharlie and the Chocolate Factory,The WitchesandThe BFGall have devoted fans, but its arguably director/star Danny DeVito’s adaptation ofMatildathat best captures the essence of the source material.
Mara Wilson is wonderful as the genius tot rebelling against the beastly grown-ups in her life (a Dahl staple), with DeVito himself, Rhea Perlman and Pam Ferris having the time of their lives as Matilda’s parents and evil headmistress “the Trunchbull”, respectively. An adaptation of the hitMatildastage musical – complete with “revolting children” is now available on Netflix.
The Mitchells vs the Machines (2021)
Director:Michael Rianda, Jeff RoweAge rating:PG (US and UK)Where to watch:Netflix (US and UK)RT score:97% (critical) and 89% (audience)
Phil Lord and Christopher Miller serve as producers on this innovative Netflix animation, a natural successor to their work onThe Lego Movieand the magnificentSpider-Man: Into the Spider-Verse.
Effectively a family-friendly update ofThe Terminator, it focusses on a lone family fighting back against a machine uprising led by an Alexa-style AI gone bad (voiced by a typically brilliant Olivia Colman). The story is packed with memorable moments – including a hilarious Furby-led kitchen appliance rebellion – while contemporary themes (notably the debate over human connection vs screentime) are handled with plenty of heart.
But the thing that really elevates The Mitchells vs the Machinesis the presentation. With clever, fourth-wall breaking asides to camera and visual tricks aplenty, this feels like a new evolution in CG animation.
Mary Poppins (1964)
Director:Robert StevensonAge rating:G (US); PG (UK)Where to watch:Disney Plus (US and UK)RT score:97% (critical) and 86% (audience)
Pop quiz: for which 1960s musical did Julie Andrews win her Oscar? While the natural instinct for many would be to plump forThe Sound of Music, it was actually her turn as PL Travers’ magical nanny that most excited Academy voters.
More than half a century later, it’s easy to see why. Andrews talks, sings and dances her way through this classic, and even integrates seamlessly with an assortment of animated characters. At well over two hours long,Mary Poppinsmay try the patience of younger viewers – and Dick Van Dyke’s unique interpretation of a cockney accent is memorable for all the wrong reasons – but no list of the best family movies would be complete without it. Emily Blunt inherited Julie Andrews' famous carpet bag in 2018 follow-upMary Poppins Returns, which is also available on Disney Plus.
The Muppet Christmas Carol (1992)
Director:Brian HensonAge rating:G (US); U (UK)Where to watch:Disney Plus (US and UK)RT score:77% (critical) and 86% (audience)
WithStar Wars, Marvel, and Pixar on the House of Mouse payroll, it’s easy to forget that the Muppets are also part of the Disney family. That means Disney Plus subscribers have access to the numerous big screen adventures of Kermit, Miss Piggy and the rest, and this festive offering is arguably the best of the lot.
While most of the cast are made of felt, this is a surprisingly faithful adaptation of Charles Dickens’ Christmas classic. All the Muppet regulars get to play Victorian cosplay, from Kermit and Miss Piggy as the Cratchits to perennial hecklers Statler and Waldorf as ghostly Jacob Marley and his previously unseen brother, Robert. But at the heart of it all is a masterful performance from Michael Caine as legendary miser Ebenezer Scrooge – he takes the role so seriously that you almost forget he’s acting alongside puppets.
Nimona (2023)
Director:Troy Quane, Nick BrunoAge rating:PG (US and UK)Where to watch:Netflix (US and UK)RT score:92% (critical) and 91% (audience)
When Disney bought 20th Century Fox in 2019, it decided to shut down Blue Sky Studios, the animation studio responsible forIce Age,Rioand an unfinished adaptation ofNimona,a graphic novel fromShe-Ra and the Princesses of Powercreator ND Stevenson. It looked like the movie was destined to remain forever unseen, until Annapurna Pictures and Netflix stepped in to save the day. And we should be thankful they did, because this tale of a wrongfully accused knight and his shapeshifting sidekick is more than worthy of a place among the best family movies.
Much asShrekdid two decades earlier,Nimonadoes a brilliant job of subverting Disney fairytale tropes, but there’s so much more to it than that. Heavily stylised 2D animation and a (surprisingly non-contradictory) futuristic medieval setting combine to create a world like no other, while the movie’s clever twists and prominent LGBTQ+ themes add extra dimensions to a fun, knockabout adventure.
Paddington/Paddington 2 (2014/2017)
Director:Paul KingAge rating:PG (US and UK)Where to watch:PaddingtonandPaddington 2on Prime Video (US);PaddingtonandPaddington 2available to rent or buy on all good digital stores (UK)RT score:97% (critical) and 80% (audience) forPaddington; 99% (critical) and 88% (audience) forPaddington 2
Paddington 2isn’t just one of the best family movies of all time – in April 2021 it knocked perennial “greatest film ever made” Citizen Kane off the top of aggregator site Rotten Tomatoes’ rankings. It’s no computer error, either, because both of thePaddingtonmovies have already sealed their status as feelgood classics.
Indeed, it’s almost impossible to pick a favorite between them, thanks to their effortless mix of charm, humor and slapstick. The casting is perfect throughout, but special mentions should go to Ben Whishaw as Michael Bond’s marmalade-munching hero, and Hugh Grant as the sequel’s villain, disgruntled thespian Phoenix Buchanan. There’s a man who more than earns his patented Paddington hard stare.
Pee-wee’s Big Adventure (1985)
Director:Tim BurtonAge rating:PG (US); U (UK)Where to watch:Available to rent or buy on all good digital stores (US and UK)RT score:88% (critical) and 79% (audience)
Director Tim Burton had always struggled to find a fit for his offbeat sensibilities when he was an animator at Disney. He found the perfect vehicle, however, when he took Paul Reubens’ weird-but-popular man-child creation Pee-wee Herman to the big screen – in fact, it was such a successful match that it paved the way for Burton to directBeetlejuiceand 1989’sBatmanmovie.
Nominally the story of the hero’s quest to find his beloved bike, it’s an unconventional and surreal road-movie that brings a succession of eccentric supporting players into Pee-wee’s orbit. Undoubtedly one of the oddest entries on our collection of the best family movies, but extremely charming nonetheless.
Guillermo del Toro’s Pinocchio (2022)
Director:Guillermo del Toro, Mark GustafsonAge rating:PG (US and UK)Where to watch:Netflix (US and UK)RT score:96% (critical) and 90% (audience)
There were two big screen takes onPinocchioin 2022. There weren’t many reasons to get excited about the first, the latest installment in Disney’s never-ending mission to turn all its cartoon classics into live-action movies. The second, however, was a beautiful piece of stop-motion animation that put a novel spin on Carlo Collodi’s original book, and ended up walking away with an Oscar.
Guillermo del Toro’s name in the title should be enough to tell you this isn’t some cutesy fairytale. Alongside co-director Mark Gustafson, he creates a visually stunning story, where familiar characters like the titular puppet boy, his cricket conscience and the life-giving fairy are given imaginative makeovers. Along the way, the movie deals with weighty themes like grief, the search for acceptance and – thanks to the setting being shifted to Mussolini’s Italy – fascism. In fact, in some waysPinocchiowill probably appeal more to the adults than the kids, though everyone should be able to appreciate the work of a master craftsman.
The Princess Bride (1987)
Director:Rob ReinerAge rating:PG (US and UK)Where to watch:Disney Plus and Hulu (US); Available to rent or buy on all good digital stores (UK)RT score:96% (critical) and 94% (audience)
When an old man played by Peter Falk (Columbo) tells his sick-but-sceptical grandson (The Wonder Years’ Fred Savage) that the book he’s about to read contains “fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love [and] miracles]”, he’s only revealing half the story.
The Princess Bride(adapted by screenwriting legend William Goldman from his own novel ) is also a hilarious reconstruction of fairytale tropes, loaded with quotable dialogue – “You killed my father, prepare to die”, “Inconceivable!” – as well dastardly villains, and memorable cameos from Billy Crystal, Peter Cook and more. As far as we’re aware, it’s also the only fantasy movie to feature dangerous R.O.U.S.s (aka Rodents of Unusual Size).
School of Rock (2003)
Director:Richard LinklaterAge rating:PG-13 (US); PG (UK)Where to watch:Paramount Plus(US); Paramount Plus and Prime Video (UK)RT score:92% (critical) and 64% (audience)
It’s impossible to imagine anyone but Jack Black taking the lead inSchool of Rock, a comedy that plays to his strengths as both a fast-talking comic actor, and the lead singer of Tenacious D.
Indeed, the whole of indie legend Richard Linklater’s (Dazed and Confused,Before Sunrise,Boyhood) movie is built around Black’s energetic performance as a hard-rocking slacker who masquerades as a substitute teacher at an exclusive private school. But, crucially, it’s not just the Jack Black Show, as he’s joined by a perfectly cast ensemble of kids who are not only brilliant actors – theyalsoplay their instruments as they take on the grown-ups in a battle of the bands.
Shrek/Shrek 2 (2001/2004)
Director:Andrew AdamsonAge rating:PG (US); U (UK)Where to watch:Peacock Premium (US); Sky Go and Now TV (UK)RT score:88% (critical) and 90% (audience) forShrek; 89% (critical) and 69% (audience) forShrek 2
The movie that proved DreamWorks Animation could go toe-to-toe with Pixar,Shrekdelighted in giving Disney fairytales aPrincess Bride-style makeover. A monster hit on its original release, the first movie turned a grumpy green ogre (Mike Myers) and his donkey sidekick (a scene-stealing Eddie Murphy) into superstars as they fought dragons who didn’t need fighting, and rescued princesses who didn’t need rescuing.
Follow-upShrek 2recaptured much of its predecessor’s magic, as Shrek faced a meet the parents scenario just as excruciating as the Ben Stiller/Robert De Niro movie. Unfortunately, the third and fourth movies went off-the-rails somewhat, but Shrek is still to DreamWorks what Woody and Buzz Lightyear are to Pixar.
Spider-Man Into the Spider-Verse (2018)
Director:Bob Persichetti, Rodney Rothman, Peter RamseyAge rating:PG (US and UK)Where to watch:Available to rent or buy on all good digital stores (US);Sky Go and Now TV (UK)RT score:97% (critical) and 94% (audience)
Spider-Man: No Way Homegrabbed plenty of headlines when it brought together multiple Spider-Men, but this dimension-hopping animated adventure got there first.Into the Spider-Verseshifts the focus from Peter Parker to alternative timelineSpider-ManMiles Morales, who’s joined by numerous other webslingers (including a film noir version and talking pig Spider-Ham) on a mission to thwart the nefarious schemes of the supersized Kingpin.
As well as being packed with blockbuster action and an impressive amount of heart (Morales learns the hard way that great power tends to come packaged with great responsibility),Into the Spider-Versefeels like an evolution in CG animation. From start to finish it’s a feast for the eyes, and its hyper-real, comic-book-riffing style has since inspired everything fromThe Mitchells vs the MachinestoPuss in Boots: The Last Wish. Spider-Man has had 10 big-screen outings to date and this is arguably the best.
Spider-Man: Across the Spider-Verse, which released in mid-2023, is also available to rent and buy onAmazon,AppleTV,Google Playand other SVOD platforms.
Spirited Away (2001)
Director:Hayao MiyazakiAge rating:PG (US and UK)Where to watch:Max(US); Netflix (UK)RT score:96% (critical) and 96% (audience)
Legendary director Hayao Miyazaki had been turning out animated classics for decades by the timeSpirited Awaycame along. But this story of a girl forced to work in a magical bathhouse after her parents are transformed into pigs catapulted the filmmaker – and Studio Ghibli, a company he co-founded – into mainstream Western consciousness. It even won an Oscar for Best Animated Feature.
In an era when CG animation was becoming a major player at the box office,Spirited Awayproved there’s still a place for lovingly crafted hand-drawn creations. But more than that, it displays layers of emotional depth and storytelling complexity that go way beyond most of its Hollywood counterparts.
Toy Story 1-4 (1995-2019)
Director:John Lasseter (1 & 2); Lee Unkrich (3); Josh Cooley (4)Age rating:G (US); PG (UK)Where to watch:Disney Plus (US and UK)RT score:100% (critical) and 92% (audience) forToy Story; 100% (critical) and 87% (audience) forToy Story 2;98% (critical) and 90% (audience) forToy Story 3; 97% (critical) and 94% (audience) forToy Story 4
Any list of the best family movies could easily include a dozen Pixar classics, such is the pioneering CG animation studio’s mastery of telling stories that resonate equally with kids and grown-ups. But it’s arguably their beloved debut movie, and its subsequent sequels, that best define the Pixar brand.
Spread over more than two decades, the quartet ofToy Storymovies turn the residents of a kid’s toybox into characters you care deeply about, whether they’re getting lost during a house move, or coming to terms with their owner out-growing them – it takes a stern constitution to fight off the tears during the final acts of installments3and4. Most integral toToy Story’s success, however, is the ensemble cast, who banter like the stars of a classic sitcom. Other Pixar movies are available, but they rarely get better than this.
Ultraman: Rising
Director:Shannon TindleAge rating:PG (US and UK)Where to watch:Netflix (US and UK)RT score:83% (critical) and 91% (audience)
Ultraman Risingis a 2024 animated film that reintroduces Japan’s legendary Ultraman hero in a fresh way, combining high-energy sci-fi with an unexpectedly heartwarming story with lots of cute moments. The follows Ken Sato, a celebrity baseball player who returns to Japan to carry on his family’s legacy as Ultraman. But his plans take an unexpected twist when he’s assigned to care for a baby kaiju – the offspring of his former nemesis.
It’s packed with epic battles and stunning CGI animation, butUltraman Risingalso explores the pressures of heroismandthe challenges of unexpected parenthood. Perfect for families, it mixes thrilling action sequences with touching, humorous moments, offering a fun and family-friendly take on this beloved pop-culture icon.
Who Framed Roger Rabbit (1988)
Director:Robert ZemeckisAge rating:PG (US and UK)Where to watch:Disney Plus (US and UK)RT score:96% (critical) and 85% (audience)
For a certain generation, watching a monochrome Dorothy step into the Technicolor world of Oz was a seminal moment. Half a century later, ’80s theater-goers got a wow moment of similarly epic proportions when a live-action director walked onto the “set” of a cartoon, kicking off 90-plus minutes of movie magic.
There’s much more toWho Framed Roger Rabbitthan the magic of humans and ’toons living side by side in 1940s Hollywood, however. Sure, there’s plenty of fun to be had with the big-name cameos – most notably Bugs Bunny and Mickey Mouse getting the rare opportunity to share a scene – but this is also an engrossing crime story in the tradition of the great films noirs.
Londoner Bob Hoskins is the quintessential American PI, reluctantly negotiating a labyrinthine world of (mostly animated) hired goons, femmes fatales and unlikely allies. Meanwhile, Christopher Lloyd’s brilliant villain, Judge Doom, has been the cause of many a childhood nightmare.
The Wizard of Oz (1939)
Director:Victor FlemingAge rating:G (US); U (UK)Where to watch:Max (US); Available to rent or buy on all good digital stores (UK)RT score:98% (critical) and 89% (audience)
Dorothy Gale (Judy Garland) and her dog, Toto, left Kansas a long way behind when a twister blew them to the magical land of Oz. Suddenly their black-and-white world was turned into vibrant Technicolor, and movies were never the same again.
Even at 84 years old, this famous take on L. Frank Baum’s fantasy novel holds its own among the other entries on this list of the best family movies. It’s also loaded with iconography, dialogue and songs that have been wholeheartedly absorbed into our collective pop culture consciousness – mention ruby slippers, “There’s no place like home” or ‘Over the Rainbow’ andeverybodyknows what you’re talking about.
For more family movie recommendations on the world’sbest streaming services, read ourbest Max family moviesandbest Disney Plus moviesguides.
Richard is a freelance journalist specialising in movies and TV, primarily of the sci-fi and fantasy variety. An early encounter with a certain galaxy far, far away started a lifelong love affair with outer space, and these days Richard’s happiest geeking out about Star Wars, Star Trek, Marvel and other long-running pop culture franchises. In a previous life he was editor of legendary sci-fi and fantasy magazine SFX, where he got to interview many of the biggest names in the business – though he’ll always have a soft spot for Jeff Goldblum who (somewhat bizarrely) thought Richard’s name was Winter.
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